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Senate Key to Australian Democracy Success - Yet a Mystery to Most Australians
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Bamboo ceiling in 2021: Asian women face double whammy
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I want to make a particular case for the soap opera that often does not have the same kind of artistic legitimacy as other media forms, and thus enters popular discourse via low brow appreciation. By having such a broad-based appeal, the soap opera in Australia can have unusual power to transform entrenched bias against those who are perceived to be outsiders to the dominant white settler narrative within the nation.
Changing Landscape
The Heights. Australia’s home-grown gem, it should rightly alter the
Home and Away face of an Australia consumed the world over and replace it with what contemporary
Death threats, distrust and racism: how anti-Chinese sentiment in Australia seeped into the mainstream
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Joy Hopwood
Kathy Luu and Damian Sato star in the Australian film Rhapsody of Love .
Public outcry over the lack of Asian representation and visibility in Hollywood has been raging for almost two decades, and it is picking up steam.
Films such as ‘Crazy Rich Asians’ in 2018, with an all-Asian lead cast, pushed the cause into the mainstream. And now, with Chloe Zhao becoming the first Asian female to win a Golden Globe Award in the best director category on Sunday night, the industry is again reminded of the value of diversity.
In Australia, the movement to increase Asian representation and visibility in entertainment feels distant. The public awareness of the issue is not cemented in our domestic film and TV industries.