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Josef Albers: artist and professor at the Bauhaus

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Six seminal projects from Bauhaus designers Josef and Anni Albers

Six seminal projects from Bauhaus designers Josef and Anni Albers Nicholas Fox Weber, a longtime friend of Josef and Anni Albers and executive director of their foundation, has authored a visual biography of the renowned Bauhaus couple and their work. Here he discusses six of the most interesting projects from the book. Called Anni & Josef Albers: Equal and Unequal, the book traces their artistic evolution from meeting at the Bauhaus, the German art school that gave birth to the Bauhaus design movement, in 1922 to fleeing Nazi Germany in the 1930s and teaching at the experimental Black Mountain College in North Carolina.

The Beguiling Appeal of Daniel Arsham s Time Dilation and Tara Donovan s Intermediaries

To revist this article, visit My Profile, then View saved stories. This weekend, two distinctly disorienting gallery shows open in New York. They’re not the bad kind of disorienting, like what we all experienced last year (although the pandemic and its associated disassociation do come up in one of them). What instead happens in both shows is an unsticking, from linear time in Daniel Arsham’s “Time Dilation” at Perrotin and from the stark spatial geometry of the grid in Tara Donovan’s “Intermediaries” at Pace. And rather than alienating or dispiriting, they both have the effect of amusing, beguiling, and altogether delighting.

Art museums push on with new exhibits during pandemic

Exhibition explores the formal and visual affinities and contrasts between Josef Albers and Giorgio Morandi

Exhibition explores the formal and visual affinities and contrasts between Josef Albers and Giorgio Morandi Josef Albers, Study for Homage to the Square, 1973 © The Josef and Anni Albers Foundation / Artists Rights Society (ARS), New York. Courtesy The Josef and Anni Albers Foundation and David Zwirner. NEW YORK, NY .-David Zwirner is presenting Albers and Morandi: Never Finished. On view at the gallery’s 537 West 20th Street location, the exhibition explores the formal and visual affinities and contrasts between two of the twentieth century’s greatest painters: Josef Albers (1888–1976) and Giorgio Morandi (1890–1964). Both Albers and Morandi are best known for their decades-long elaborations of singular motifs: from 1950 until his death in 1976, Albers employed his nested square format to experiment with endless chromatic combinations and perceptual effects, while Morandi, in his intimate still lifes and occasional landscapes, engaged viewers’ perceptual understanding a

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