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The Paris Review - Announcing Our Summer Issue

Orion Magazine | Twenty-One Recommended Poetry Collections for Orion Readers

“Imagine you must survive without running,” Ada Limón writes in one of The Carrying’s (Milkweed) early poems, and for a while I can imagine nothing but that. But then, a few pages later, she writes, “Perhaps we are always hurtling our bodies toward/ the thing that will obliterate us . . .” and I think, yes, I imagine that is also true. On and on this book goes, making me imagine the world in one way and then another. Consider her poem “American Pharoah,” in which the speaker is quite literally sick and tired but is forced to leave the house to see some horse “not even race, but/ work.” She’s a grump, the poem’s speaker, just like I am so often grumpy and tired and sick of it all. And so too is “some horse racing bigwig” who is certain this horse must be overrated. Isn’t so much of what this world sells us overrated? The blooming trees and the dogs and the dandelions and the tomatoes and the dreams we have of the people we love or the people we hope to l

For National poetry month, five poets reflect on the seasons of the pandemic along with machine learning art

For National poetry month, five poets reflect on the seasons of the pandemic along with machine learning art
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Verve {in} Verse: Jihyun Yun « Kenyon Review Blog

The Kenyon Review in which I converse with poets about their work and interests both on and off the page. Today’s feature is Jihyun Yun and her debut collection Some Are Always Hungry (University of Nebraska Press, 2020), which won the Prairie Schooner Book Prize in Poetry and which Ada Limón calls “a reckoning with immigration and historical trauma and rooted in the sensorial world, these poems are timeless and ongoing.” A Fulbright research grant recipient, she has received degrees from the University of California–Davis and New York University. Her work has appeared in Narrative Magazine, Poetry Northwest,

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