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Zoran Drvenkar’s “Sorry” Knopf, 2011 Rare is the thriller that surpasses the limits of genre fiction. But Zoran Drvenkar’s Sorry is one such book: a thriller on its face, but also a thoughtful study in guilt and innocence, violence and redemption. Rare is the thriller that surpasses the limits of genre fiction. But Zoran Drvenkar’s Sorry is one such book: a thriller on its face, but also a thoughtful study in guilt and innocence, violence and redemption. It alternates among the first, second and third persons, with almost each of the eight chapters bifurcating into “After” and “Before” sections. Drvenkar flirts with postmodern forms and high jinks but manages to avoid sounding gimmicky. These narrative inversions are organic to a story that abounds in unexpected turns and keeps the reader exactly as blind as the characters themselves.

Vukovarsko srijemskaZoran drvenkarShaun whitesideMan who wasn tFriedrich glauser prizeInternational literatureஷான் வெள்ளைப்பக்கம்பிரீட்ரிச் கிளாசர் ப்ரைஸ்சர்வதேச இலக்கியம்