Should 'contemporary art' be displayed in an ethnographic museum like the Pitt Rivers? Can a Victorian museum building, containing tens of thousands of objects from communities all over the world, be construed as a contemporary art space? How can working with contemporary art and artists reconfigure or even challenge the histories of a place like the Pitt Rivers Museum?Join us
This March, Agnes Etherington Art Centre at Queen’s University hosts world-renowned Zina Saro-Wiwa as artist-in-residence, culminating in a very special Illicit Gin Institute Assembly on Wolfe Island on March 31, 7–10pm.