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Nomadland review – Chloe Zhao’s triumphant ode to community Mark Kermode Observer film critic © Provided by The Guardian Photograph: Everett Collection Inc/Alamy Stock Photo Accepting her Oscar for best director last week, the Chinese film-maker Chloé Zhao remarked: “I have always found goodness in the people I met, everywhere I went in the world.” That sentiment runs throughout Zhao’s third feature, a gentle tone poem with western genre inflections, mining the rich seams of human kindness that run through the margins of society. It also chimes with Jessica Bruder’s 2017 source book, in which the author chronicles true tales of the “new nomads” who took to the road after their savings were “obliterated by the Great Recession”, and for whom, “as for anyone, survival isn’t enough … we require hope. And there is hope on the road.”

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