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Why are there so few black-owned galleries in London?

Tafeta at Tefaf in 2020 © Tafeta Tafeta Gallery has moved to Russell Square. Tafeta, which is taking part in London Gallery Weekend, is owned by Ayo Adeyinka, a gallerist of Nigerian heritage who is something of a unicorn. There are few Black-owned galleries in the UK and even fewer in the central London area. Every once in a while, a ‘pop up’ will surface, giving us all a glimpse of what is possible. Bold, independent curators like Bolanle Tajudeen, Adeola Ayoola, Lisa Anderson and Maryam Lawal have been known to commandeer spaces in London and fill them with the work of Black artists. By doing so, they refuse to wait for permission from the so-called gatekeepers to display Black art. But a ‘pop up’ is by design temporary in nature. All too soon, the dates listed on the flyer come and go, the installations are taken down, the unsold canvases are rolled up, and we are left scouring social media for the next one.

IN FAÇADE, AFICIONADOS DISCERN ONOBRAKPEYA S RESTLESS CREATIVITY

EXHIBITION No, Façade – Bruce Onobrakpeya’s ongoing exhibition at Art 21 Gallery (at Eko Hotel and Suites in Victoria Island, Lagos)– is not just all about challenging aesthetic canons. Hasn’t that always been the theme song of the 88-year-old’s studio practice? Weaned on the “Natural Synthesis” principle of the Zaria Art Society – a group which he founded with his colleagues at the Nigerian College of Arts, Science and Technology (NCAST) on Friday, October 9, 1959 – the artist’s works have always been known to appropriate local themes and motifs. This is besides their spanning across both conventional and unconventional artistic media.

KAVITA CHELLARAM AND HER VISION FOR NIGERIAN ART

ART-ICLES South South Veza looms. For this South South’s inaugural event, kó features a solo presentation by Peju Alatise, one of Africa’s leading female contemporary artists. Through the event, South South (a gallery-led online community, anthology, live resource and aggregator dedicated to art from the so-called Global South and its diaspora) hosts over 50 other galleries “from more than 40 cities spread across 30 countries and five continents” from Tuesday, February 23 to Sunday, March 7. At kó’s formal launch on Friday, September 25, its visionary founder Kavita Chellaram – hitherto renowned in the Lagos art circles for her trailblazing auction house Arthouse Contemporary and its satellite projects (Arthouse -The Space and Arthouse Foundation) – enthused about her creating “a separate and unique gallery entity”.

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