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Live Music at Wistaria Festival - Rafu Shimpo

Live Music at Wistaria Festival - Rafu Shimpo
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The Switch: New Accomodation for Students Studying in Melbourne, Victoria

L’AFP est une agence d’information globale, assurant une couverture rapide, complète et vérifiée des événements de l’actualité comme des thèmes qui façonnent notre quotidien. Avec un réseau de journalistes sans égal, déployé sur 151 pays, l'AFP est en outre un leader mondial de l’investigation nu.

The End of the Pale Hour : Love at first sight can be blinding

Takumi Kitamura stands out as one half of an unnamed couple in Hana Matsumoto’s drama, which follows a typical movie romance arc until a cleverly devised twist changes everything.

Standout talent tries a new path with No Call No Life

Mar 17, 2021 Japan is not a bad place to be a young filmmaker. There are a number of festivals here that feature the work of up-and-coming directors, including the pioneering Pia Film Festival, which has been discovering and nurturing directorial talents since 1977. Additionally, many festivals abroad are also constantly on the hunt for the next hot first- or second-time director. In other words: first Pia, then the world. Dozens of Japanese filmmakers have followed this path (or something like it) for decades, including Aya Igashi. The 24-year-old director is still a standout among her peers, however. In 2016, her short film “Tokeru” won a Special Jury’s Award at the 2016 Pia festival. Then, in 2017, it was selected for the Cinefondation section at the Cannes Film Festival, making Igashi the youngest Japanese filmmaker to be so honored. The following year, when she was 22, her first theatrical feature, “A Crimson Star,” was released in Japan.

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