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Zheng Chaolin, great Chinese revolutionary socialist

Zheng Chaolin (1901-98), the veteran leader of the Chinese Communist Party (CCP) and the Chinese Trotskyist movement, devoted his entire life to the cause of the liberation of the Chinese workers and peasants. Now at last Zheng Chaolin’s Selected Writings have been translated and published. Gregor Benton, who translated and edited these texts andProphets Unarmed (2015), deserves huge praise for making the writings available in English.

Zheng Chaolin, great Chinese revolutionary socialist

Zheng Chaolin, great Chinese revolutionary socialist
workersliberty.org - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from workersliberty.org Daily Mail and Mail on Sunday newspapers.

Zheng Chaolin, great Chinese revolutionary socialist

Zheng Chaolin (1901-98), the veteran leader of the Chinese Communist Party (CCP) and the Chinese Trotskyist movement, devoted his entire life to the cause of the liberation of the Chinese workers and peasants. Now at last Zheng Chaolin’s Selected Writings have been translated and published. Gregor Benton, who translated and edited these texts and Prophets Unarmed (2015), deserves huge praise for making the writings available in English.

NSW Senate candidate Paula Sanchez: Socialism gives me hope

NSW Senate candidate Paula Sanchez told Green Left’s Alex Bainbridge she is proud to receive the support of the Latin American community, but she has no illusions in how hard it will be to be elected and, if she is, make the radical changes required.

Hayward: Chinese Communist Party Asserts Control over Hollywood By Censoring Nomadland Director Chloe Zhao

Matt Petit/A.M.P.A.S. via Getty Images 27 Apr 2021 The Chinese Communist Party (CCP) appears to have a strange love-hate relationship with filmmaker Chloe Zhao, alternately praising her achievements and using its censorship powers to suppress all mention of her Oscar wins on Sunday. It is hard to see why the CCP would decide to erase Zhao, who has not been a strident public critic of China’s authoritarian regime. It is much easier to understand the CCP’s desire to send Zhao, her American collaborators, and Hollywood a message about China’s increasing box-office clout, and Beijing’s willingness to use business interests as leverage to accomplish its political agenda. If a history-making Asian female director can suddenly become a non-person at the peak of her career, then no one is safe.

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