Yishai Sarid s Minatzahat – killing with no fear The Memory Monster was a success for Israeli author Yishai Sarid. His latest book hasn t been published in English yet, but given his reach among Anglophone readers, it won t be long before there s a publishing deal for this controversial new novel. Sarah Judith Hofmann read the book
There is a scene in this novel that could hardly be more Israeli. Mendi, an aged artist, sits in a
moshav – a kind of kibbutz – and peels oranges that he has picked himself. It s quiet in the moshav; only Abigail, his friend and psychotherapist, is there. It s actually quite a romantic picture. But the two of them don t just chat aimlessly in the orchard. No, the artist tells of the people he once killed; and who now come to him in his dreams to take revenge on him. He reports – orange slice by orange slice – how he killed, with the knife, by strangling and with the pistol, always silently at arm s length.
Yishai Sarid: La memoria es un fenómeno abierto a la manipulación
infobae.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from infobae.com Daily Mail and Mail on Sunday newspapers.
Neuer Roman von Yishai Sarid: Wie Soldaten tödlicher werden
kurier.at - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from kurier.at Daily Mail and Mail on Sunday newspapers.
Killing with no fear: Yishai Sarid has published a new novel The Memory Monster was a success for Israeli author Yishai Sarid. His new book hasn t been published in English yet, but given his reach among Anglophone readers, it won t be long before there s a publishing deal.
There is a scene in this novel that could hardly be more Israeli. Mendi, an aged artist, sits in a moshav a kind of kibbutz and peels oranges that he has picked himself. It s quiet in the moshav; only Abigail, his friend and psychotherapist, is there. It s actually quite a romantic picture. But the two of them don t just chat aimlessly in the orchard. No, the artist tells of the people he once killed; and who now come to him in his dreams to take revenge on him. He reports orange slice by orange slice how he killed, with the knife, by strangling and with the pistol, always silently at arm s length.