to once work with me on another house, something i wanted to build, like a southern plantation with spanish moss coming down and, you know, from the trees. but he said no, you have the vision. it s too strong in your head. there s nothing for me. i want it to be me creation, not yours. but that s what s so hard. you want a great builder. you want a expediters to carry out your vision. which i can do when i m directing a film. then it s perfectly fine. because everyone respects the director. especially in england, by the way. when i was doing yentl, because they had a queen and a woman prime minister. so it was no big deal i was a woman director. you see? larry: got it. barbra streisand s our guest. what an honor to have her with us. double honor to be in her home. we ll be right back.
i had to i had to be there to make sure things were precise. larry: but architects more than any other profession are the most controlling of figures, are they not? it s their baby. it depends. no, no, no well, no, this was different. because, you know, maybe if an architect as a matter of fact, i had once asked quothme to once work with me on another house, something i wanted to build, like a southern plantation with spanish moss coming down and, you know, from the trees. but he said no, you have the vision. it s too strong in your head. there s nothing for me. i want it to be my creation, not yours. but that s what s so hard. you want a great builder. you want a expediters to carry out your vision. which i can do when i m directing a film. then it s perfectly fine. because everyone respects the director. especially in england, by the way. when i was doing yentl, because they had a queen and a woman prime minister. so it was no big deal i was a woman director. you see? l
we re not equal yet. larry: so, does that annoy you? well, it s funny and sad at the same time. you know? it s odd and yeah, i guess it does annoy me. yeah. larry: because you must have had it all your professional life, right, in anything? yeah, yeah. larry: when you directed a film? right. larry: there are male director who are tough. when you were tough, it must have been who was she to be tough? who says i was tough? larry: i m guessing you were tough. no, as a matter of fact, one of my prized processes is the cast of yentl actually wrote a letter to the press that no one would print, and all of them signed it, and it was about how quietly i spoke on the set and that i smiled or you know, i was very friendly, of course, with the crew. i needed them desperately to be part of the dream of the film. and care, you know? so it is odd, you know, what is
when you were tough, it must have been who was she to be tough? who says i was tough? larry: i m guessing you were tough. no, as a matter of fact, one of my prized processes is the cast of yentl actually wrote a letter to the press that no one would print, and all of them signed it, and it was about how quietly i spoke on the set and that i smiled or you know, i was very friendly, of course, with the crew. i needed them desperately to be part of the dream of the film. and care, you know? so it is odd, you know, what is tough? because you say, you know, the light should move a little to the left? if a man says that that s fine. i guess it s just we re still differentiated, you know. we are still different. in a way, i m glad hillary clinton wasn t the first woman president, because with this economic crisis, they would have probably blamed her gender.
right, it s two different things? i think so. we ve come a long way. we re not equal yet. larry: so, does that annoy you? well, it s funny and sad at the same time. you know? it s odd and yeah, i guess it does annoy me. yeah. larry: because you must have had it all your professional life, right, in anything? yeah, yeah. larry: when you directed a film? right. larry: there are male director whos who are tough. when you were tough, it must have been who was she to be tough? who says i was tough? larry: i m guessing you were tough. no, as a matter of fact, one of my prized processes is the cast of yentl actually wrote a letter to the press that no one would print, and all of them signed it, and it was about how quietly i spoke on the set and that i smiled or you know, i was very friendly, of course, with the crew. i needed them desperately to be