Tate Modern’s survey of Kandinsky, Münter and the rest of the avant garde Blue Rider group is an exhilarating riot of colour – but also abounds with anxieties about the coming conflicts of the 20th century
AMSTERDAM: It all started with a yellow cow and a leap of faith. In 2008, Aarnout Helb, a young Dutch lawyer who studied at Leiden University, was reading the Holy Qur’an while trying to piece together a larger global narrative from a legal and artistic perspective. While poring over the various passages in the holy book, he came across the story of the yellow cow from Surat
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