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therere was seisismic acactivity in n seattle. anchchor: the swswifties danced andnd jumped soso muc. ananchor: the e equivalentntf a a 2.3-magnititude earthqhqu. tayloror swift s i impact on p culturure today isis extraordid. the concncert, fromm my undnderstandingng, genenerated billllions of dodo. vanessa a yurkevich:h: one econt susuggests thahat taylor s sw, through h her us touour, coud add $5 billion to o us gdp. if cacari champioion: you re e o 8080, you knowow a song off tataylor swiftft s. nate rogers: i in modern pop timemes, you havave yoyour cream-o-of-the-cropop ar. and taylor swift is probably arguably the tip of the top. anchor: : pop star t taylor swis takiking her rececord-breakikins tour t to the big g screen. cari c champion: t there sees to be e not only a a fascinati, but an o obsession w with wht shes sininging, who o she singg to, who heher friends s are, whwhat these s songs mean n to. we have e a dedicateted nfl cacam to taylolor swift in all of f th
is going t to be a smamash. bubut we got a a lot of placemenents togetheher. we wororked on xscscape. [xscape, holdld on ] (singing) hold on to l love. hold on to love. kandi burruss: we loved that song so much that sean produced. i feel like people really appreciate real vocals baback then. peopople loved r r&b back tht. r&r&b was, i w would say,, biggerer than hip p hop. cariri champion:n: so we havavs emergence e of black g girl grs who o are very unanapologeti. and they re singing g a differerent type o of song. anand i believeve truly, f fo, that was the start o of women singing in a v very empowewered. sean hall: my first pop hit would probably be no more on 3lw.. [3[3lw, no momore ] (singng) yoyou do or yoyou don t, d do. you will o or you won n t, won. no m more. yeah, yeahah. sidney madadden: so wiwithin e pantheonon of black k girl gros of the l late 90s and earlrly 2000 s,, 3lw w definitelyly had ststaying powewer. ththey had a s steady fandnd.
is going t to be a smamash. bubut we got a a lot of placemenents togetheher. we wororked on xscscape. [xscscape, holdld on ] (s(singing) hohold on to l l. hold on toto love. kandndi burruss:s: we loveved that sonong so much that sean produced. i feel like people really appreciate real vocals baback then. peopople loved r r&b back tht. r&r&b was, i w would say,, biggerer than hip p hop. cariri champion:n: so we havavs emergence e of black g girl grs who o are very u unapologeti. and they r re singing g a differerent type o of song. anand i believeve truly, f fo, that was t the start o of womn singnging in a v very empowewer. seanan hall: my y first pop pt wowould probabably be no o m on 3lw.. [3[3lw, no momore ] (singng) yoyou do or yoyou don t, d do. you will o or you won n t, won. no m more. yeah, yeahah. sidney madadden: so wiwithin e pantheonon of black k girl gros of the l late 90s and earlrly 2000 s,, 3lw w definitelyly had ststaying powewer. ththey had a s steady fandnd.