i still cry every time i see it. i m a softie, what can i tell you? it has permeated every aspect of pop culture, and i think there s very few musicals that can do that. it has been a part of my life for almost half- of my adult life. somehow, i thought that the show would be running when i was gone. it s hard to put into words because i love what i do. mm makes me a bit teary. this is our working warehouse, and we re in new york i m not going to tell you exactly where, but we re
we ll see you again next week. i still cry every time i see it. i m a softie, what can i tell you? it has permeated every aspect of pop culture, and i think there s very few musicals that can do that. it has been a part of my life - for almost half of my adult life. somehow, i thought that the show would be running when i was gone. it s hard to put into words because i love what i do. mm makes me a bit teary. this is our working warehouse, and we re in new york i m not going to tell you exactly
this is our working warehouse and we are in new york, i will not tell you exactly where, but we are in new york city and this is where we keep spare costumes that we need to do fittings and stuff. my name is sam flemming and i am the associate costume designer for phantom and i have been with the show since 1989. we did a count about four orfive years ago and at that point we determined about 7000 individual costume pieces were here, so there is a lot. we did not even count the hats and shoes. this is meant to set the stage for everything you are meant to see for the next two hours and 20 minutes. this is the level of decor and texture. and here is, of course the mask. this is like a cage so i have a lot of steel going around here. but it makes me very upright which is great. there is definitely something that happens to you as a performer, no matter what happens
this is our working warehouse and we are in new york, i will not tell you exactly where, but we are in new york city and this is where we keep spare costumes that we need to do fittings and stuff. my name is sam flemming and i am the associate costume designer for phantom and i have been with the show since 1989. we did a count about four orfive years ago and at that point we determined about 7000 individual costume pieces were here, so there is a lot. we did not even count the hats and shoes. this is meant to set the stage for everything you are about to see for the next two hours and 20 minutes. this is the level of decor and texture. this is like a cage so i have a lot of steel
it has permeated every aspect of pop culture and i think there are very few musicals that can do that. it has been a part of my life for almost half of my adult life. somehow i thought that i the show would be running when i was gone. it is hard to put in words because i love what i do. this is our working warehouse and we are in new york, i will not tell you exactly where, but we are in new york city and this is where we keep spare costumes that we need to do fittings and stuff.