with hair hanging. laughter. hundreds of hats with hair attached to em. amol laughs. i was like, no, that s actually how i d look if i didn t have - m yeah. it would be like. thank you so much for agreeing to be interviewed. so, in preparation for this, i have done a lot of work. i ve read your remarkable memoir and i ve come to a conclusion, which you re too humble to say, so i m going to say it, which is, i think you re one of the most influential musicians in modern history. how would you assess your influence? i look at myself, honestly, as a worker bee, and i walk into the studio and my onlyjob is to make sure that artistically, we wind up in a better place than we started. the hitmaker. yeah. tell me the artists that you ve worked with, holding that guitar.
as a worker bee, and i walk into the studio and my onlyjob is to make sure that artistically, we wind up in a better place than we started. the hitmaker. yeah. tell me the artists that you ve worked with holding that guitar. it s the main workhorse in my life, and people, they laugh at me, they make fun of me, because they think that i treat it poorly and i say, you don t understand. i show up to work. erm, this guitar is there to work. but that s probably responsible for what? it s over $1 billion worth of music you ve made and produced and written on there. when, for instance, let s dance, the song let s dance comes about in switzerland, what s the process by which david bowie has an idea. ..and you take it and you take it
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