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The questions
2 What is the most common organ transplant?
3 What were tenterhooks originally used for?
4 Who wrote about her Wonderful Adventures… In Many Lands?
5 Which pirates were named after a type of barbecue?
6 The Harvard-Yale boat race takes place on what river?
7 What religious relic was the Holy Prepuce?
8 Steve Jobs ran which company from 1985-97?
What links:
10 Cold Water; Happy Talk; Three Times A Lady; Mouldy Old Dough?
11 BG; CU; EXT; INT; LS; POV; VO; ZI?
12 Cannonball; Hispi; January King; Napa; Savoy?
13 Edinburgh; Goulburn, New South Wales; Stockwell; Colwyn Bay; Drogheda; Chester?
14 £20 a week; £17 a week in the summer (until 1961)?
Last modified on Thu 11 Mar 2021 08.56 EST
The last words of “Diving into the Wreck”, the title poem in the 1973 collection by the great American feminist thinker, poet and essayist Adrienne Rich, are these: “a book of myths / in which / our names do not appear.” I can’t remember when I first read the poem – certainly not when it was written, I’d have been only 10 or 11. More likely in the early 80s, when living away from home for the first time, in those heady days of “discovering” feminism, of Reclaim the Night marches, of consciousness-raising groups. That’s when I learned – rather late in the day – to look at the world through a wider lens, to read more widely and to seek out books not on the syllabus. To listen to different voices, learn from other times. To attempt to stand in other people’s shoes.