‘News of the second contact sent the whole camp into turmoil. After long weeks spent searching in vain, a new vitality returned.’ Fiction from Juan S. Guse translated by Gwen Clayton.
Female-led productions in Hamburg and Munich including an Annie Ernaux adaptation and a reworking of Ibsen’s “A Doll’s House” pack both a theatrical and a moral punch.
The P Word, by Waleed Akhtar, whose play Kabul Goes Pop was a hit at Brixton House earlier this year, opens at the Bush Theatre on 9 September (press night 14 September.) Directed by Anthony Simpson-Pike (Lava, Bush Theatre), this story of who wins in the luck of the life s draw is a new Bush Theatre commission.
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