The bright creaminess of what was the newly completed sculpture has darkened to a warm sepia, almost as if it were an aged photograph of the thing in addition to the thing itself. The expansion is expanded, in the past. It is done.
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No One Thing, the current exhibition at Hauser & Wirth is, in effect, an estate sale. The seven itemsall steel, all painted, 196164are among the last in circulation. One is very glad to see them but does not mistake this group for a historical exhibition, which in various aspects it pretends to be. In its miscellaneous heterogeneity however, the exhibition is as close to the lost fields as we may ever get, and by a special power of the artistnothing short of magic, he is present here as if in person. A busy-minded formalist who said, I dont edit; these works were checked off Smiths exhaustive must-do list. Some are almost unbearably personal.