He got out of his wheelchair and walked for the first time in 9 months and he walked all the way up on the stage and started dancing, Feucht said. The next night another guy with ALS in a wheelchair came and that original guy went over to the new guy with ALS and prayed for him and he got out of his wheelchair.
He added, after seeing that, how can we not go another night and see what else God has for us.
Feucht said some people are skeptical about the genuineness of these phenomena, but he strongly believes that God s healing power will restore the broken.
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The greatest threat from terrorism in the United States comes from people who are associated with a British Church of England-run Pentecostalist movement inside the United States. It is this apparatus which has structured the militias. Now, most people in the militia movement, or associated with it, have no part of the intentions of those who are behind it, particularly that section in the Episcopal Church, or Pat Robertson, who’s part of this same movement, who are barking–authentically barking–Pentecostalists, who, with their connections with the military, deeply embedded in the military, including the … corps of chaplains in the U.S. military, are largely controlled, presently, by outright barking Pentecostalists …. This is the … main source of the internal threat of the potential for terrorism, and other kinds of treason inside the United States, today.“
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Blackpentecostal Breath: The Aesthetics of Possibility is proving to be a profoundly influential as well as innovative book. Its author Ashon T. Crawley – academic and artist – features in two exhibitions (one current, one upcoming) which explore themes taken from the book.
A plenitude and plurality is found in these artworks composed of worship, lament and joy – JE
Enunciated Life at California African American Museum takes as its starting point Crawley’s idea that ‘black pneuma’, a communal choreography of inhalation and exhalation experienced within Black Pentecostalism has the power ‘to enunciate life, life that is exorbitant, capacious, and fundamentally social, though it is also life that is structured through and engulfed by brutal violence.’ [1] Otherwise/Revival at Bridge Projects from April utilizes Crawley’s suggestion that the elements of the Black Pentecostal Church the Hammond organ, emphatic breath, shouting, and glossolalia create space for