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Project prose early modern europe and new world | Renaissance and early modern literature

Project prose early modern europe and new world | Renaissance and early modern literature
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A Brief History of the LA House Gallery

Artists and writers reflect on domestic exhibition spaces in Los Angeles, from 1940 to the present Since the dawn of the 20th century, artists pursuing their dreams in Los Angeles have found a city rich in creative possibilities but often short on creative infrastructure. In response, they’ve built their own, tucked away in the abundant private homes, apartments and gardens of the city’s fertile plain. Exhibitions in closets, bathrooms and garden sheds are amongst the most interesting in a metropolis increasingly at the centre of the globalized art world. Charting a partial map of these domestic spaces over the past 80 years, this special section looks into what architectural historian Reyner Banham called, in

Dan Nadel on Philip Guston s Jewishness - Artforum International

Dan Nadel on Philip Guston’s Jewishness Philip Guston, If This Be Not I, 1945, oil on canvas, 42 1/4 × 55 1/4 . © The Estate of Philip Guston. TO BE A JEW in twentieth-century America was to be an outsider. We Jews gathered in temples and schools, we bought properties, physical and intellectual, to maintain control of our environments. We formed our own magazines. We exploited ourselves and others. Ashkenazi Jews can pass as non-Jewish when it suits us, or Jewish again when we wish to be “chosen.” And when blame is to be assigned, or walls erected, we can once again pass or not pass depending on the ideological needs of the times. The tension inherent in assimilation and rejection, donning and discarding a mask, is at the center of Philip (Goldstein) Guston’s work. It also accounts for some of the resentment, bitterness, and neuroticism embedded in so much twentieth-century art and entertainment. Guston lives in this tradition wi

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