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Monster Time: The Cinema of Oliver Stone Kyle Smith
William Oliver Stone is the rare Hollywood figure who, you come to understand, probably
downplays his outlandish antics in his book. “There were a few ‘Oliver Stone’ stories that I’d heard, bounced back at me, often with unbelievable outcomes,” he writes, a little prissily. He notes that a fellow screenwriter once told him that his legend had become a kind of model for other writers who wished to be seen as bad boys. Stone drily notes that at parties, “I would do something, never violent or intentionally harmful, but often outrageous, to make the moment less boring.” He withholds many of the details, which no doubt were gory (and perhaps delicious).
Oliver Stone’s freewheeling autobiography tells the story of the first half of his life
Oliver Stone won a medal for bravery in the Vietnam war in the 1960s and won Oscars for his films in the 1980s. Picture: Thomas Niedermueller/Getty Images for ZFF
Sun, 17 Jan, 2021 - 12:30
Review: Noel Baker
Monoray, €20
IT S early in the piece but maybe the best way to explain the allure of Oliver Stone’s romantic, freewheeling autobiography is to tell you how one of my best friends took on the experience.
My mate, a self-confessed Stone nut, downloaded the audio version of Chasing the Light - as read by the author - and then proceeded to drive around Cork city with the Oscar-winning director and screenwriter for company. “Love how he paints a picture of post-war optimism in New York circa 1945-46,” he messaged me. “Take me there.” Throughout his storied but turbulent career, Stone has certainly taken us places - the steaming jungles of Vietnam, the (serial) killing fields of