DUBAI: She is the Arab world’s greatest living musical icon, but Fayrouz remains an enigma. She retains a sometimes-infuriating aura of mystery, rarely giving interviews and ardently protecting the privacy of her family. On stage she appears devoid of emotion motionless and expressionless. Those characteristics have themselves become iconic, with Fayrouz’s striking but
El Oudal Mensiyye
(The Forgotten Room, 1969).
A true musical maverick, despite working with celebrated mainstream artists Rahbani was one of the pioneers of alternative and underground music in Lebanon. Early in his career, he experimented with the latest electronic instruments, and was one of the first to use synthesisers in Arabic music.
He also introduced contemporary international music trends to Lebanon, exploring genres such as ye-ye, psych-rock, 60s pop, Franco-Arab, Latin, beat and chansons.
In the 60s and 70s, he wrote and produced some of the country’s most innovative records, frequently collaborating with upcoming artists. Some of them found short-lived fame, such as Lebanese-Armenian psych-rock band The News, while others became established names like Maya Casabianca, Manuel and Sammy Clark.