“Not retrospective,” a collection of pieces made between 2003 and 2023, showed how Kwan has adapted the two artists’ renegotiation of the commodity status of art and artist over the past century to the context of contemporary Hong Kong.
A video featuring his wife haranguing critics of his art for ‘turning black and white upside down’ is an example of Kwan Sheung-chi’s use of parody and satire in work on show at a Hong Kong gallery.
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