do you regret that now? regret the tone or the anger? no, no, no. i think it was very, very clever. and i think it was. i don t have regrets because i don t even understand the idea of regret. in a hypothetical parallel universe, given my time again, knowing where i was going to go and that i was going to have so much power and such a loud megaphone, i wouldn t have done it, but i didn t know even what digital technology was doing quite at that point. but are you better at taking criticism now? oh, no, no, no. you never get. you never. i m better at not reading it, and i ll never be in a situation again where one person s assessment of me can be so dominant in the digital space. but no, i m not good at taking criticism. you still take it personally? 0h, hugely, yeah. when did the tim minchin stage image and persona develop? you know, the shock of wild hair, the very thick kohl eyeliner? yeah. make up. but then also paired with a frock coat. the concert pianist s tails. yeah. when did t
i was like, you don t use. that s my tool. do you regret that now? regret the tone or the anger? no, no, no. i think it was very, very clever. and i think it was. i don t have regrets because i don t even understand the idea of regret. in a hypothetical parallel universe, given my time again, knowing where i was going to go and that i was going to have so much power and such a loud megaphone, i wouldn t have done it, but i didn t know even what digital technology was doing quite at that point. but are you better at taking criticism now? oh, no, no, no. you never get. you never. i m better at not reading it, and i ll never be in a situation again where one person s assessment of me can be so dominant in the digital space. but no, i m not good at taking criticism. you still take it personally? 0h, hugely, yeah. when did the tim minchin stage image and persona develop? you know, the shock of wild hair, the very thick kohl eyeliner? yeah.
image and persona develop? you know, the shock of wild hair, the very thick kohl eyeliner. yeah. make up. but then also paired with a frock coat. the concert pianist s tails. yeah. when did that start? i mean, it was quite a quick sort of, not particularly thought about decision about the end of 200a. i was in sydney writing a little musical with my friends, actually, and this cabaret thing i was doing was definitely quite clearly looking like the thing i should concentrate on. people were really enjoying it and the room was, you know, sometimes playing to two people in the audience, but in general, people were starting to take a bit of an interest. # you could be clever as voltaire # but it won t get you nowhere # if you want to sell discs. ..# and very early 2005, i did a show at the seymour centre in sydney and i had just decided to.
was like, hey, phil daoust, do you reckon you can use clever words to take someone down? 0k, hold my beer. that was my attitude. i was like, you don t use. that s my tool. do you regret that now? regret the tone or the anger? no, no, no. i think it was very, very clever. and i think it was. i don t have regrets because i don t even understand the idea of regret. in a hypothetical parallel universe, given my time again, knowing where i was going to go and that i was going to have so much power and such a loud megaphone, i wouldn t have done it, but i didn t know even what digital technology was doing quite at that point. but are you better at taking criticism now? oh, no, no, no. you never get. you never. i m better at not reading it, and i ll never be in a situation again where one person s assessment of me can be so dominant in the digital space. but no, i m not good at taking criticism. you still take it personally? 0h, hugely, yeah. when did the tim minchin stage image and perso
This year 149 survivors were chosen in a lottery to participate in the 15th annual Oaks Survivors Parade for breast and ovarian cancer survivors, and among them was a Lexington woman still in her own fight with breast cancer.