do you reckon you can use clever words to take someone down? 0k, hold my beer. that was my attitude. i was like, you don t use. that s my tool. do you regret that now? regret the tone or the anger? no, no, no. i think it was very, very clever. and i think it was. i don t have regrets because i don t even understand the idea of regret. in a hypothetical parallel universe, given my time again, knowing where i was going to go and that i was going to have so much power and such a loud megaphone, i wouldn t have done it, but i didn t know even what digital technology was doing quite at that point. but are you better at taking criticism now? oh, no, no, no. you never get. you never. i m better at not reading it, and i ll never be in a situation again where one person s assessment of me can be so dominant in the digital space. but no, i m not good at taking criticism. you still take it personally? 0h, hugely, yeah. when did the tim minchin stage image and persona develop? you know, the sho
clever words to take someone down? 0k, hold my beer. that was my attitude. i was like, you don t use. that s my tool. do you regret that now? regret the tone or the anger? no, no, no. i think it was very, very clever. and i think it was. i don t have regrets because i don t even understand the idea of regret. in a hypothetical parallel universe, given my time again, knowing where i was going to go and that i was going to have so much power and such a loud megaphone, i wouldn t have done it, but i didn t know even what digital technology was doing quite at that point. but are you better at taking criticism now? oh, no, no, no. you never get. you never. i m better at not reading it, and i ll never be in a situation again where one person s assessment of me can be so dominant in the digital space. but no, i m not good at taking criticism. you still take it personally? 0h, hugely, yeah. when did the tim minchin stage image and persona develop?
i was like, you don t use. that s my tool. do you regret that now? regret the tone or the anger? no, no, no. i think it was very, very clever. and i think it was. i don t have regrets because i don t even understand the idea of regret. in a hypothetical parallel universe, given my time again, knowing where i was going to go and that i was going to have so much power and such a loud megaphone, i wouldn t have done it, but i didn t know even what digital technology was doing quite at that point. but are you better at taking criticism now? oh, no, no, no. you never get. you never. i m better at not reading it, and i ll never be in a situation again where one person s assessment of me can be so dominant in the digital space. but no, i m not good at taking criticism. you still take it personally? 0h, hugely, yeah. when did the tim minchin stage image and persona develop? you know, the shock of wild hair, the very thick kohl eyeliner? yeah.
like, that was, my feeling was like, hey, phil daoust, do you reckon you can use clever words to take someone down? 0k, hold my beer. that was my attitude. i was like, you don t use. that s my tool. do you regret that now? regret the tone or the anger? no, no, no. i think it was very, very clever. and i think it was. i regret, i don t have regrets because i don t even understand the idea of regret. in a hypothetical parallel universe, given my time again, knowing where i was going to go and that i was going to have so much power and such a loud megaphone, i wouldn t have done it, but i didn t know even what digital technology was doing quite at that point. but are you better at taking criticism now? oh, no, no, no. you never get. you never. i m better at not reading it and i ll never be in a situation again where one person s assessment of me can be so dominant in the digital space. but no, i m not good at taking criticism. you still take it personally? 0h, hugely, yeah. when did
was like, hey, phil daoust, do you reckon you can use clever words to take someone down? 0k, hold my beer. that was my attitude. i was like, you don t use. that s my tool. do you regret that now? regret the tone or the anger? no, no, no. i think it was very, very clever. and i think it was. i don t have regrets because i don t even understand the idea of regret. in a hypothetical parallel universe, given my time again, knowing where i was going to go and that i was going to have so much power and such a loud megaphone, i wouldn t have done it, but i didn t know even what digital technology was doing quite at that point. but are you better at taking criticism now? oh, no, no, no. you never get. you never. i m better at not reading it, and i ll never be in a situation again where one person s assessment of me can be so dominant in the digital space. but no, i m not good at taking criticism. you still take it personally? 0h, hugely, yeah. when did the tim minchin stage image and perso