For poet Carlos Soto Román, the task is not to ask about the after with respect to memory but to think it as a field of counter-documentation—one that does not, unlike many oft-criticized sociological studies and Truth Commissions, instantiate an arbitrary finality and closure—that continues to enclose/foreclose on itself, only to contradictorily acknowledge these same historical fissures and cuts.
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I first met Hugo García Manríquez in 2019 at Casa Tomada, an independent bookstore and cultural space located in the la Condesa neighborhood of Mexico…