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Girlhood by Melissa Febos review – a view from her 40s
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The pain and shame of girlhood
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A Big Long Time | An Essay By Melissa Febos
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What makes Liz Phair heroic to some and intimidating to others (those who deserve it, let’s say) is her ability to pierce the emotional heart of a situation. At her best, a good Liz Phair lyric goes beyond cutting through bullshit into the type of earth-shaking insight that leaves you speechless. Of course, being “real” and a “truth teller” can be a trap, as Phair knows better than almost anybody: The Cassandra of the ’90s Chicago alt-rock scene has spent the past couple of decades experimenting with her image, and has been pilloried for it by critics. Too nasty, too sweet, too soft, too slick the only solution is to find a place in the middle. And that’s what she does on
ONLINE: A Celebration of Queer Voices
May 10, 2021 6:30 PM
press release: A Room of One s Own, Noemi Press, and Lambda Literary present a virtual reading to celebrate queer voices, featuring authors Melissa Febos, Khalisa Rae, Melissa Faliveno, Emilia Phillips, Raquel Gutiérrez, Sofia Fey, and Ashley Elizabeth Evans. This Crowdcast event will be emcee d by Suzi F. Garcia.
Khalisa Rae is a poet and journalist in Durham, North Carolina, that speaks with furious rebellion. She is the author of
Ghost in a Black Girl s Throat (Red Hen Press 2021). Her essays are featured in Autostraddle, Catapult, LitHub, as well as articles in B tch Media, NBC-BLK, and others. Her poetry appears in Frontier Poetry, Florida Review, Rust & Moth, PANK, Hellebore, Sundog Lit, HOBART, among countless others. She is the winner of the Bright Wings Poetry contest, the Furious Flower Gwendolyn Brooks Poetry Prize, and the White Stag Publishing Contest, among other prizes. Currently, she serves as Assistan