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moment to establish the huge variety of modernism within iran in the 20th century. iran positioned itself firmly on the global stage so we had artists that moved westward and looked, and reinvented, but we also had artists who looked eastward. and who more beautiful and more moving than sohrab sepehri, who s known as a poet, as well as a painter? sohrab studied for two years injapan in the early 60s, and also in china. and he came back to iran via india, where he studied there as well both in its painterly arts, but also in its spiritual meditation. and in this early work, we see that wonderful eastern brushstroke in one of these early renditions of the trees that sepehri became so well known for later on in his career. we can also look at the work of bahman mohasses. he was interested not in the hero, but in the antihero. and his figures often have a demonic feel and resonate

Sohrab sepehriWell bothEastern brushstrokeBahman mohasses