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Review: We Might as Well Be Dead

10/06/2022 - Natalia Sinelnikova’s debut feature uses an eerie co-op living community to satirise Western European mores

Ioana iacobNatalia sinelnikovaBabelsberg konrad wolfPerspektive deutschesViktor gallandiRadu judeIris pola geigerTribeca international narrative competitionKonrad wolf film university of babelsbergWestern europeanPalme crowned triangleInternational narrative competitionKonrad wolf film universityPola geigerWell be deadHeartwake films

Review: We Might as Well Be Dead

10/06/2022 - Natalia Sinelnikova’s debut feature uses an eerie co-op living community to satirise Western European mores

Ioana iacobNatalia sinelnikovaBabelsberg konrad wolfPerspektive deutschesViktor gallandiRadu judeIris pola geigerTribeca international narrative competitionKonrad wolf film university of babelsbergWestern europeanPalme crowned triangleInternational narrative competitionKonrad wolf film universityPola geigerWell be deadHeartwake films

Review: We Might as Well Be Dead

10/06/2022 - Natalia Sinelnikova’s debut feature uses an eerie co-op living community to satirise Western European mores

Ioana iacobNatalia sinelnikovaBabelsberg konrad wolfPerspektive deutschesViktor gallandiRadu judeIris pola geigerTribeca international narrative competitionKonrad wolf film university of babelsbergWestern europeanPalme crowned triangleInternational narrative competitionKonrad wolf film universityPola geigerWell be deadHeartwake films

Highlights of the 2022 Tribeca Festival - The New York Times

The springtime extravaganza returns with another sweeping bill of fare. We trawled through the slate so you can savor the gems.

New yorkUnited statesMani jermaine fowlerSigne baumaneJon kasbeDavid hansonAnna konkleJennifer lopezLos angelesNatalia sinelnikovaAnna ioana iacobAndrea dworkinSarah elizabeth mintzMichelle garza cerveraSarah adina smithPratibha parmar

We Might as Well Be Dead: An absurdist portrait of a hysteria-ridden society

Against the backdrop of war propaganda and anti-Russian agitation in the media, one film at this year’s Berlinale assumed extra significance, We Might as Well Be Dead, by the young, Russian-Jewish director Natalia Sinelnikova.

Sankt peterburgNordrhein westfalenIoana iacobSusanne wuestNatalia sinelnikovaWolfram moritz jahnPhoebus apolloKnut bergerIris pola geigerBerlin international film festivalEuropean unionBerlin international filmWell be deadEastern europeGerti posnerMoritz jahn

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