immortal aspects of humankind. some paintings only show geometric forms today her paintings astonish hilma clint anticipated the abstract language of form she specified that her life s work should be kept secret for at least twenty years after her death she believes it would not be understood. georgina houghton born in eight hundred fourteen grew up in victorian london like clint she studied art in one thousand nine hundred sixty one houghton went to her first sales experience shocked and changed her and she became a medium herself. she began painting with watercolors directly onto paper hundreds of pictures with wild ecstatic lines unlike anything else in her day out it was long forgotten until twenty fifteen when some of her drawings reappeared on the back she had written the name of the spirit who controlled the painting like
immortal aspects of humankind. some paintings only show geometric forms today her paintings astonished him off clint anticipated the abstract language of phone she specified that her life s work should be kept secret for at least twenty years after her death she believed it would not be understood. georgianna houghton born in eight hundred fourteen grew up in victorian london like clint she studied art in one thousand nine hundred to one houghton went to her first seance the experience shocked and changed her and she became a medium herself. she began painting with watercolors directly onto paper hundreds of pictures with wild ecstatic lines unlike anything else in her day out it was long forgotten until twenty fifteen when some of her drawings reappeared on the back she had written the name of the spirit who controlled the painting like
show. eric: what is a low-impact show? anthony: it means, i m not, you know, paddling up river. it means i get a flush toilet, eating well constantly. eric: you you like luxury. anthony: i do. look, i do. i like a fluffy hotel towel. i like a bidet. look, i like warm jets of water squirting up my ass. i mean, who doesn t? i could retire here. eric: i could retire here too. anthony: you see, that s, sort of, the measure of a place for me is like if you start thinking thoughts like that, like, that must be nice. i could live there. just me and my watercolors, you know, just puttering. when you retire are you going to putter? do you know what putter means? eric: what is? no. anthony: dicking around. basically, you wake up and you maybe you paint a little. eric: i can t paint. anthony: you know, well, okay. do you knitting? little make, make a sweater. eric: what do you think i am like? who am i here?
it that s what s on the paintings was really tempting because i felt to bring the paintings to move in front of you ice. after it was shot with actors over one hundred painters and get down to kulish they recreated each frame by hand to bring this dream to life. and her husband and co-director huge welchman led the team that put together this truly unique film. it s like almost like you know putting out the possible because you you ve got the paintings and you don t really want to change them too much more you ve got the biography you ve got the fox from his life and also you ve got you know. storytelling like very important for a filmmaker. to accept. in years and sixty five thousand individual paintings to create loving vincent disney s first animated feature length films were painted with water colors but using oils in animation is unchartered territory for the film
that s what s on the paintings was really tempting because i thought if you bring the paintings in front of you. after it was shot with actors over one hundred painters and go down to cuba recreated each frame by hand to bring this dream to life. and her husband. the team that put together this truly unique film. it s. putting of the possible because you you ve got the paintings and you don t really want to change them to. the biography of the fox from his life and also you ve got you know . storytelling like very important. seven years and sixty five thousand individual paintings to create loving vincent disney s first animated feature length films were painted with water colors but using oils in animation is unchartered territory for the film industry. amazing