too. anthony: you see, that s, sort of, the measure of a place for me is like if you start thinking thoughts like that, like, that must be nice. i could live there. just me and my watercolors, you know, just puttering. when you retire are you going to putter? do you know what putter means? eric: what is? no. anthony: dicking around. basically, you wake up and you maybe you paint a little. eric: i can t paint. anthony: you know, well, okay. do you knitting? little make, make a sweater. eric: what do you think i am like? who am i here? i will try to go fishing. i ve, you know, i ve never catched anything in my life. anthony: do you actually fish? do you know how to fish? do you ever fish? eric: i don t know how to fish. anthony: i ll show you how. all you need is a car battery and a couple of cables. trust me, you ll get all the fish you want. they come right up. eric: yeah, that s, uh, you end up in jail. you end up in jail, dude.
these pictures at an exhibition a fusion of dance art and music as a spectacular and widely acclaimed stage production. i. martin seal spent five years giving the piano suite a visual form russian composer modesta a source ski wrote the ten pieces in eight hundred seventy four inspired by victor hartman s pictures many of the drawings and watercolors are now lost the flying steps bring them back to life. bringing the individual subjects to life by staging and dunson for them following the music s pattern. or no interpretation shows how we experience them how we see this picture and sort of into a performance and bring it to life bendish with. sit down sir spent four months rehearsing for the for lynn premiere to all of them for a council or viewpoint is
was all skis pictures at an exhibition. this fusion of don s music is the spectacular and want to play production. i thought it was incredible the atmosphere here in the hall it was just incredible . i was in everyone s happy we got good feedback we made it man. i think now we ve arrived in international circles of fine arts and people can appreciate what we re doing bottom bissell has been five years on this visual interpretation of the piano suite. russian composer muscles he wrote the ten movements in eight hundred seventy four inspired by works by victor hartman many of the drawings and watercolors are now lost the flying steps bring them back to life . bring in the individual subjects to life by staging and dancing for them
taishan of ms lewinsky s pictures at an exhibition. this fusion of duns and music is the spectacular and want to play production. it was incredible the atmosphere here in the hall it was just incredible. out of that everyone s happy we got good feedback we made it man shuffle i think now we ve arrived in the international circles of fine arts and people can appreciate what we re doing bottom bassoon has been five years on this visual interpretation of the piano suite. russian composer muscles he wrote the ten movements in eight hundred seventy four inspired by works by victor hartman many of the drawings and watercolors are now lost the flying steps bring them back to life what s going to bring in the individual subjects to life by staging and dancing for them following
hartman s pictures many of the drawings and watercolors are now lost the flying steps bring them back to life. bringing the individual subjects to life by staging and dancing for them so following the music s pattern. or the interpretation shows how we experience them we see this picture and turn it into a performance and bring it to life. and this was. the dancer spent four months rehearsing for the for lynn premiere to all of them break downs or people line which is a lifestyle they bring together different styles of urban and classical dance and their work. jenny as twins compliment the ten tablo with their street art they made their reputation with gargantuan moving sculptures some of their works big and small are integrated into the show at the humble contemporary art museum. everybody. really together. we find