another fan named paul gorish. gorish, an amateur photographer, had come to know lennon personally. one of his photos was later used as the cover for len onon s posthumous single watching the wheels. when i got there there was a guy standing outside the archway on the right side as you went into the dakota. he was standing there holding a copy of doubling fantasy in his left arm. and this guy approahed me and he said to me are you waiting for lennon? so i said yes. and he said do you work for john? and i said no. and he said, oh. he said, my name is mark. he said, i m from hawaii. what struck me strange is when he said that he had a southern accent. so i said, well, if you re from hawaii, how come you have a southern accent? and he said, well, originally i m from georgia. and i said, oh. so i then said, well, where are you staying while you re in the city? and with that he turned to me and said, why do you want to
back to the dakota. i had a premonition that this is the last time i was going to leave my hotel room. i hadn t seen him up to that point, that s what makes it interesting, i wasn t sure he was in the building. and then i left the hotel room, bought a copy of the catcher in the rye, signed it to holden caulfield from holden caulfield, and wrote underneath that, this is my statement, underlining the word this, the emphasis on the word this. i had planned not to say anything after the shooting. that morning, chapman meets another fan named paul gorish. gorish, an amateur photographer, had come to know lennon personally. one of his photos was later used as the cover for lennon s posthumous single watching the wheels. when i got there, there was a guy standing on the archway on the right side as you enter the dakota. he was holding a copy of double fantasy in his left arm. and this guy approached me and said, are you waiting for
writes the word lennon. he heads back to the dakota. i had the idea that this was the last time i would leave my hotel room. i had not seen him up to that point, that is what is interesting, i was not sure he was in the building. i left the hotel room, and bought a copy of the catcher in the rye and signed it and wrote underneath this, this is my statement, under lining the word this, the emphasis on the word this. i had planned to not say anything after the shooting. that morning, chapman meets another fan, named paul gorish, he had come to know lennon personally. one of his photos was later used as the cover for lennon s single, watching the wheels. when i got there, there was a guy standing outside the archway, on the right side as you went in, he was standing there holding a couple of double fantasy in his left arm, and he approached me and he said, are you waiting for lennon