i m going the give you lunch for that. how often do you get hit on? all the time. if it s an artist that want to rap and he knows me, he s going to walk up and he s going to want to spit but i m going to hold back my tongue. one day he held court and basically gave his critique. i got loud and i stand down like a white boy in an all-black crowd it s all about practice. do you know how to count bars? it s four. okay. that s four? one hm hm hm two hm hm hm it was a little bit like watching the rap version of american idol but with one judge. i got stories to tell when i see cops crack me on the spot i m getting fights i get my criminal drew, he was fairly kind but he was also honest. he wasn t quite simon cowell but he was pretty good with his constructive criticism. when it s a beat, you got to be on beat. you feel me? you wasn t on beat. all right, drew. coming up you ll hear three, two, one all right? a lockup producer takes one for
and they often use one particular technique to tell us about themselves. very good. there s a tendency for inmates to approach us, wanting to rap for us on camera. 10 to 20 to life got so much [ bleep ] i can hardly sleep at night it s a constant theme wherever we go. and oftentimes we ll be happy to hear people rap, you know, sometimes put them on camera, sometimes not. i can t wait to get home to my family reply retry no lie we hear a lot of rap music going inside a jail for extended stay. it could just be the banging on the wall in the cell of someone making a beat. it is important to take the time to listen.
that s four? one hm hm hm two hm hm hm it was a little bit like watching the rap version of american idol but with one judge. i got stories to tell when i see cops crack me on the spot i m getting fights i get my criminal drew, he was fairly kind but he was also honest. he wasn t quite simon cowell but he was pretty good with his constructive criticism. when it s a beat, you got to be on beat. you feel me? you wasn t on beat. all right, drew. coming up you ll hear three, two, one all right? a lockup producer takes one for the team. but first shabang is the only bags of chips you re going to get when you re incarcerated. you can t get them on the out. the unofficial potato chip of jails and prisons everywhere. whe multiple quote options online
got so much [ bleep ] i can hardly sleep at night it s a constant theme wherever we go. and oftentimes we ll be happy to hear people rap, you know, sometimes put them on camera, sometimes not. i can t wait to get home to my family reply retry no lie we hear a lot of rap music going inside a jail for extended stay. it could just be the banging on the wall in the cell of someone making a beat. it is important to take the time to listen. it reveals things about them. sometimes they re rapping about their personal life. not just about life inside. it s like they re sharing their story with us through their music. if i had if i had 100 grand lord that s all i need for one good chance i don t blow it all be damned it might be enough to take me out of the gutter keep the law off my back and get me out of trouble
it s all about practice. do you know how to count bars? it s four. okay. that s four? one hm hm hm two hm hm hm it was a little bit like watching the rap version of american idol but with one judge. i got stories to tell when i see cops crack me on the spot i m getting fights i get my criminal drew, he was fairly kind but he was also honest. he wasn t quite simon cowell but he was pretty good with his constructive criticism. when it s a beat, you got to be on beat. you feel me? you wasn t on beat. all right, drew. coming up you ll hear three, two, one all right? a lockup producer takes one for the team. but first shabang is the only bags of chips you re going to get when you re incarcerated. you can t get them on the out. the unofficial potato chip of