it has to be something that speaks to each individual in a unique way. the touches something deep down in each person and the audience. but it has to be entirely free. of us with dance prize that s when the work becomes profound as it does when it touches on the mystery and psyche. that that man has got and that doesn t happen if you re simply telling a linear story that none. of us let s hear it. first developed one of the most significant productions kerber during her five year stint as core to stick director of berlin s shall be in a theater it s an exploration of anatomy that delves into every aspect of the human body. time and again the company conjures images that sear themselves into the viewer s memory like a nightmare. at the same time vult isn t afraid of venturing into more abstract territory in her piece from when she
but it has to be entirely free. of us with guns prize that s when the work becomes profound as it does when it touches on the mystery inside you or that the money is gone and that doesn t happen if you re simply telling a linear story. for us let s hear it. involves developed one of the most significant productions kerber during her five year stint as courtis to director of berlin s shall be in a theater it s an exploration of anatomy that delves into every aspect of the human body. time and again the company conjures images that sear themselves into the viewer s memory like a nightmare. at the same time vult isn t afraid of venturing into more abstract territory in her piece from now on she takes dance back to its origins in ceremonial rituals. while her early works were wild her later choreography is feel more crafted for a three hour tour she transforms dancers into animalistic creatures and explore