i mean, it was quite a quick sort of not particularly thought about decision about the end of 200a. i was in sydney writing a little musical with my friends, actually, and this cabaret thing i was doing was definitely quite clearly looking like the thing i should concentrate on. people were really enjoying it and the room was. you know, sometimes i was playing to two people in the audience, but in general, people were starting to take a bit of an interest. # you could be clever as voltaire # but it won t get you nowhere if you want to sell discs # and very early 2005, i did a show at the seymour centre in sydney and i had just decided to. i ve got very curly hair. i decided to straighten my hair, don t know why. and i d lost a bit of weight and ijust thought, ijust had this sense that maybe this show i was doing, which at the time was called dark side, might be a bit of a chance. and so i thought. i ve always had a fairly pragmatic attitude to this. i m not someone who thinks,
another really incredible piece is the slave market with the disappearing bust of voltaire, which is a double image painting. he s able to show on one surface two completely different compositions. either you see the face of voltaire, or you see a slave market with two dutch merchants. we also have a painting called the disintegration of the persistence of memory, and it references dali s most well-known painting, the persistence of memory. twenty years later, he takes his original painting, and he reconstructs it as a metaphor for the atomic universe. it s one of our visitors favorite features, and it s a great way to think about dali as an artist who s constantly in transition. [music] there s a really unusual passion that dali had he wanted to paint large works. they re called the masterworks. we have eight of those in our collection, and we ve developed an ar feature so that you can actually use your cell phone, hold it up to one of these canvases, and suddenly a 30-secon
make up. but then also paired with a frock coat. the concert pianist s tails. yeah. when did that start? i mean, it was quite a quick sort of not particularly thought about decision about the end of 200a. i was in sydney writing a little musical with my friends, actually, and this cabaret thing i was doing was definitely quite clearly looking like the thing i should concentrate on. people were really enjoying it and the room was. you know, sometimes i was playing to two people in the audience, but in general, people were starting to take a bit of an interest. # you could be clever as voltaire # but it won t get you nowhere if you want to sell discs # and very early 2005, i did a show at the seymour centre in sydney and i had just decided to. i ve got very curly hair. i decided to straighten my hair, don t know why. and i d lost a bit of weight and ijust thought, ijust had this sense that maybe this show i was doing, which at the time was called dark side, might be a bit of a chance. an
image and persona develop? you know, the shock of wild hair, the very thick kohl eyeliner. yeah. make up. but then also paired with a frock coat. the concert pianist s tails. yeah. when did that start? i mean, it was quite a quick sort of, not particularly thought about decision about the end of 200a. i was in sydney writing a little musical with my friends, actually, and this cabaret thing i was doing was definitely quite clearly looking like the thing i should concentrate on. people were really enjoying it and the room was, you know, sometimes playing to two people in the audience, but in general, people were starting to take a bit of an interest. # you could be clever as voltaire # but it won t get you nowhere # if you want to sell discs. ..# and very early 2005, i did a show at the seymour centre in sydney and i had just decided to.
yeah. make up. but then also paired with a frock coat. the concert pianist s tails. yeah. when did that start? i mean, it was quite a quick sort of not particularly thought about decision about the end of 200a. i was in sydney writing a little musical with my friends, actually, and this cabaret thing i was doing was definitely quite clearly looking like the thing i should concentrate on. people were really enjoying it and the room was. you know, sometimes i was playing to two people in the audience, but in general, people were starting to take a bit of an interest. # you could be clever as voltaire # but it won t get you nowhere.# and very early 2005, i did a show at the seymour centre in sydney and i had just decided to. i ve got very curly hair. i decided to straighten my hair, don t know why. and i d lost a bit of weight and ijust thought, ijust had this