so much of your repertoire is written by people from distant past. what is the difference when you�*re working with the living composer? the difference is you can ask a question! you can say — you can say, "what did you mean by this and can i please change it? but i would say the experience with wynton was very unique. like, it was a very personal interaction and a very sort of continuous back—and—forth from both of us in corners of the earth writing, you know, him sending me — he does everything by hand,