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Pittsburgh Opera presents two contemporary works that dare to speak the truth – Seen and Heard International
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Under Viswa Subbaraman s Baton, Mozart s Marriage of Figaro Goes Desi, Yet Remains True to Original
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Seattle Opera Brings Conductors Together For Dialogue On Race And Gender
Seattle Opera s panel discussion The View from the Pit examines intersectionality in the art form.by BWW News Desk
Seattle Opera announces the next panel in its Community Conversations series: The View from the Pit: Maestros on Race and Gender in Opera. Panelists include Maestros Kazem Abdullah, Alondra de la Parra, Viswa Subbaraman, and Judith Yan with moderator Alejandra Valarino Boyer, Seattle Opera s Director of Programs and Partnerships.
Conductors unify performers, oversee rehearsals, make interpretive decisions on the score, and shape the music audiences hear at every performance. They also possess a unique vantage point on opera s unfolding conversations surrounding race and gender in the 21st century.
Flight
Musical America
Pandemic programming has encouraged opera companies to reinvent themselves as TV or movie producers, but few have been as ingenious or as apposite as Seattle Opera with its new film of Jonathan Dove’s
Flight. Written in 1998 by British composer Dove and librettist April De Angelis for Glyndebourne, the work is that rara avis, a contemporary opera that seems to have genuinely entered the repertoire, particularly in English-speaking countries where its quirky humor is most readily appreciated. Its Seattle Opera debut is the first time it has been reimagined for the screen.
Flight takes place over 24 hours in a busy airport terminal governed by an icy, rule-bound controller, a pair of over-sexed flight attendants, and an eagle-eyed immigration officer. Among the passengers are Bill and Tina, a couple hoping to rekindle their sex life on a sun-drenched holiday, a middle-aged woman eager to rendezvous for the first time with her 22-year-old overseas fiancé,