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They invited a french curator, that is, they invested artifacts, they invested money, but they did it with the hands of the french, and accordingly , the packaging was acceptable and interesting for the audience regarding the influence, so we say , especially after the Visionary Committee , that it is normal to continue to collaborate with the russians, eh, to what extent is this influence really big . Is it exaggeration is it only there cannes, which always had a sentiment for russian culture too , big eh i am with this at all i think that now we will find about the influence because well it is also we should note that the french were one of the first who officially stopped cooperation with russian state cultural institutions. That is, we have to divide here , if we didnt want to think differently, we have to divide the influence of the state with its cultural policy and the authority of certain artists and, unfortunately , the project of canceling russian culture, well, in that form

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