Emergence of war series, called hellmira the unions most infamous pow camp of the civil war. From elmira, new york, ladies and gentlemen, please welcome, derek maxfield. Thank you very much. I very please to be here and talk about my latest project. And prisoner over cams in general have been quite a surprise to me. Prisoner of war camps and general have been quite a surprise to me. I have studied the civil war since i was quite young and new the length of the tragedy during the civil war. But it was eyeopening to me the extent of the home and italian crisis that unfolded over the course of those for bloody years. The extent of the humanitarian crisis that unfolded over the course of those luddy years. Those bloody years. In total. Carcerated and, although we understand that this is a small number of casualties considering the total number of casualties during the civil war, over 750,0 when wee believe, consider that we could have done both better. That this was in our power to make li
Anthropologists erin fox. Fox writes, Country Music is widely disparaged in racialized terms and assertions of its essential ban is are frequently framed and specifically racial terms. For many cosmopolitan americans, especially, country is bad music precisely because it is widely understood to signify an explicit claim to whiteness. Not as an unmarked neutral condition of lacking or trying to shed race, but as a mark for a grounded claim of cultural identity, bad whiteness, and redeemed by ethnicity. Folklore ache authenticity, a league musical culture. I want us to think about that. Country music as articulating and conveying this type of very marked white particularly. All right, so that is the first quote. The second is from the writer and historian roxanne dumb bar ortiz in her book red dirt. It is a great memoir of growing up in oklahoma. She writes, Country Music, evangelism, romanticism, patriotism and White Supremacy have been able to coalesce my people, the descendants of the
Good morning, weve been talking about the effects of the American Revolution and framing that around the question of how revolutionary was the American Revolution . What kind of changes could it negotiate in american society, american law . Why should we think of the American Revolution as a revolution rather than a war for independence . And we talked about this in various frameworks. We talk about whether the revolution altered the social structure, and the last time we met were talking about the impact of the revolutionary on African Americans and on the institution of slavery. We saw in that case, the legacy was quite mixed. The revolution said the institution of slavery on the path of destruction in the northern states but was instrumental and trying to deepening and strengthening institutions in the southern states. Today, i would like to talk about two topics that are closely interrelated. And that our two sides of the same coin, i want to talk today about how the revolution aff
From the university describes the conflicts and relationships between the new federal government, settlers and native americans. Good morning, everybody. Weve been talking for the last couple of weeks in this class about the effects of the American Revolution and kind of framing that discussion around the question of how revolutionary was the American Revolution . What kinds of changes did it initiate in american society, american law, American Government . Wide should we think of the revolution as a revolution rather than simply a war for independence . So weve talked about this in various frameworks. We talk about whether the revolution altered the social structure of the states that were involved in our revolution, and on the last time we met, we talked about the impact of the revolution on africanamericans and on the institution of slavery, we saw that in that case the legacy was quite mixed, right . The revolution set the institutional slavery on the path to destruction in the nor
Anthropologist aaron fox, and fox writes Country Music is widely disparaged in racialized terms and assertions of its badness are frequently framed in specifically racial terms. For many cosmopolitan americans specifically, country is bad music because its precisely understood as a claim to witness, not as a condition of lacking or trying to shed race, but as a marked foregrounded claim of cultural identity of bad whiteness, unredeemed by ethnicity, progressive politics or elite musical culture. So i want us to think about that. Country music as articulating, conveying this type of very marked white particularity. Thats the first quote. The second is from the writer and historian Roxanne Dunbar ortiz, and her book red dirt which is a great memoir of growing up in oklahoma. She writes Country Music, evangelism, romanticism, patriotism, and White Supremacy have been able to coalesce my people, the descendants of the original settlers as a peoplianited despite class differences or social