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A New ‘Aida’ Lands in the Middle of France’s Culture Wars The production, which examines the work’s colonial legacy, opened after the far right accused the Paris Opera of “antiracism gone mad.” In Lotte de Beer’s new staging of “Aida,” the famous Triumphal March scene becomes a series of tableaux vivants inspired by Western art history.Credit.Vincent Pontet March 10, 2021 When Lotte de Beer’s new production of Verdi’s “Aida” recently premiered at the Paris Opera — not to a full house, but to an audience online — she was just relieved it was happening. “This might have been my hardest project ever,” de Beer said in a video interview. “We had crisis after crisis after crisis.”

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