[ sound of gunfire ] as far back as i can remember, i always wanted to be a gangster. goodfellas is like, fasten your seatbelts, i m going to kick the shit out of you for two and a half hours and you re going to love it. there have been so many gangster movies, so many mob movies. is it really possible that in 1990 martin scorsese will be able to make a gangster movie that has something to say that hasn t already been said a million times? it s going to be a good summer. and you watch the movie and you re like, yeah. see you later, thanks. what are you doing? you re leaving your car? he watches the car for me. we tried to capture the exuberance of that world. it s dangerous and threatening, but they re having a wonderful time. over there. oh, thanks a lot. goodfellas was the nuts and bolts of the mob. it was the mob as a job. what do you do? what? what do you do? i m in construction. and the balance of these two families, of your mob
this has been going on for 20 minutes now. what is he looking for? says he has to find the perfect dozen. perfect dozen? yeah, each egg has to be perfect. there started to become a genuine independent film movement. and sun dance institute had everything to do with it. the idea of starting sun dance was that i felt i d grown up being a part of the major film industry because that s all there was and i was very fortunate to be part of that, but as time went on i became more aware of other stories that could be told. they could be told by people less inclined to be commercially attractive. they were different. they were off beat, but they were stories that i felt should be told. women are lonely in the 90s. it s our new phase. we ll live. there was a sudden recognition because of the success of films that came out of that festival. and it drove such a profound change into main line hollywood. say, man, you got a joint? no, not on me, man. it d be a lot co
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