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Transcripts For LINKTV France 24 20140924

And here, in this church we have a centralized building it is capped by a huge dome, and in this middle byzantine period, that is what they preferred, a centralized building which could be either octagonal, it could be either a square with an inscribed cross within it, but it would be domed or it would have elaborate vaulting systems. The reason for that was probably partially due to the type of decorative program which they designed during this particular period. The decorative program worked with the type of architecture that they created, the centralized type of architecture. We need to keep this in mind when i will take you on a tour and well go to thewell stand directly underneath the dome and look at the wonderful mosaics. There are about 65 individual works in this particular church. Now, we need to the latter phase following this middle byzantine period we enter another intermediate phase and this intermediate phase is called the latin occupation. And in the 13th century, you h

Transcripts For LINKTV France 24 Mid-Day News 20140205

The type of perspective that they use byzantines, the byzantine artists is inverse. It is exactly the opposite of linear perspective. The vanishing point is the viewer. So you see, there is a very clear relationship that is established between the viewer and the image that is represented. So the focus of that image is on the viewer and there is a clear and distinct relationship. The viewer is not invited to step into the infinite space within which the image exists. But on the contrary, that image exists at infinity, in the heavenly realm, and enters into the space which is recreated in the interior of the church. And they share the space during the liturgy. And thats a very important theological concept. That explains the reason why the byzantines developed not the linear perspective but the inverse perspective and that there was a very specific theological need or reason for its development. So this distinct relationship, which is developed between viewer or beholder and the image is

Transcripts For LINKTV France 24 20130918

Liturgy. And thats a very important theological concept. That explains the reason why the byzantines developed not the linear perspective but the inverse perspective and that there was a very specific theological need or reason for its development. So this distinct relationship, which is developed between viewer or beholder and the image is very important to the artist, to the patron and whoever a theologian, in fact, because theologians were a very significant part of the decisionmaking process as to how you decorate a church and the very specific practices that were established in terms of the selection of the imagery what was appropriate and where they would be placed and how they would be placed. So the relationship with the beholder is one of the most important elements. Therefore, you can understand why a centralized architecture would be an ideal place for the display of these images. Now, the second point then the relationship of the image to the architecture. The architecture

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