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(Sacred Bones) Travel the world as Benjamin John Power mines a decade’s worth of field recordings on his gratifyingly singular fifth album Benjamin John Power. Photograph: Harrison Reid Benjamin John Power. Photograph: Harrison Reid Sun 28 Feb 2021 10.00 EST In Ferneaux represents something of a departure for electronica auteur Benjamin John Power. After the euphoric and abrasive maximalism of 2019’s Animated Violence Mild, and his work as half of Fuck Buttons, Power’s fifth album as Blanck Mass is a more oblique affair. A product of lockdown isolation, it comprises two lengthy soundscapes that blend his trademark layers of coruscating noise with sounds found on his travels over the past decade. Set out of context, these field recordings become for the most part wilfully abstract and very much open to interpretation: was this one recorded in downtown Bamako, that one at a Portuguese woodland rave?

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