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Hulu s Kindred finds modern-day Black woman on an 1800s plantation

2022 Palm Springs International Shortftest announces forum programs/participants & jury members

2022 Palm Springs International Shortftest announces forum programs/participants & jury members
kesq.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from kesq.com Daily Mail and Mail on Sunday newspapers.

Black Girl Magic Is Making Afrofuturism In Cinema Bewitchingly Beautiful

Black Girl Magic Is Making Afrofuturism In Cinema Bewitchingly Beautiful This year, fans of speculative fiction and Afrofuturism will see a balloon of projects that center diverse stories and Black women will be leading the way. This year, fans of speculative fiction and Afrofuturism will see a balloon of comics, graphic novels, film, and TV shows all devoted to centering Black and diverse stories and Black women will be leading the way. The next decade-plus will see us taken to worlds and futures where the African diaspora and sci-fi intersect. In most recent years, the hype behind projects like Lovecraft Country,

The Source |ABC Greenlights Black Don t Crack Pilot Starring Tisha Campbell, Essence Atkins, Sherri Shepherd, and Tahj Mowry

The Source |ABC Greenlights Black Don t Crack Pilot Starring Tisha Campbell, Essence Atkins, Sherri Shepherd, and Tahj Mowry
thesource.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from thesource.com Daily Mail and Mail on Sunday newspapers.

In female-led I m Your Woman, Julia Hart flips the 70s crime genre on its head | Movies

Five years ago, while she watched and rewatched 1970s and ‘80s crime genre classics, certain scenes lingered with filmmaker Julia Hart: the moment the study doors close on Diane Keaton’s Kay in “The Godfather,” shutting her out of her husband’s inner circle; how Tuesday Weld’s Jessie is abruptly shuffled into a car in the dead of night and sent away from the action, an infant in her arms, in “Thief.” Female characters in movies like these often exist in service to a male protagonist’s story – when they aren’t pushed out of the narrative completely. (Or rendered mostly silent, as in Martin Scorsese’s more recent “The Irishman.”) Devouring these films with her husband, co-writer and producer Jordan Horowitz, shortly after the birth of their first child, Hart wondered about the women left to the margins of the stories on-screen.

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