was not moscow berlin paris and new york that were important but vienna and the paris club you know after this realization home and to fill this oversight with an exhibition of viennese modernism it was staged of vienna without paris vienna independent of paris it spotlighting viennese culture at the turn of the century because we the french owed so much to this culture including do it on she were going she did yes. in the late one nine hundred twelve sheila rented a studio in the hit single neighborhood of vienna very close to a good stuff to its last studio was the respectable family of the locksmith few hundred homes lived across the street. sheila married edith the younger of his two daughters in june nine hundred fifteen. it s the low i think it was the winter of one thousand nine hundred fourteen i had at once with
a going shooter from the time of his imprisonment maintains that art cannot be modern. this was an extremely radical claim to make which on the one hand shows the rebellious side of this very young painter. and at the same time summarizes the essence of viennese modernism as you know which was not a modernism that promised a glorious future or claim to improve the human condition or bring mankind happiness but. it was far more introspection or return to one s inner self. is a self critical modernism to take the woman in the nanny and it was this return to the self they gave modernist viennese art of power and an appeal that other art movements were lacking off northeasterly poke in three so most good is of no bond.
viennese modernism in twenty eighteen so i made it the theme of the collection that means taking inspiration from artists like egon schiele or gustav cleared for this special. and also wagner madison right down to the architectural features or details from the furniture glassware own jewelry is all of that was incredibly creative back then and that s what i wanted to put into this collection because the critics own part of. that so combines classical with high tech fabrics. regards bodies and clothes as his candace. was going to such as all for example there s briscoe stress here is very fluid and just very feminine however i like very clean lines but then i combine it with something like this a feminine white slim and then i suggest to wear it with a parka made of a very thick wall printed with animal marty. he creates his
austrian design talent are sure. even seasoned critics are convinced they welcome the breath of fresh inspiration to at least fashion capital. this is young and fresh us who is really breathing new life into see people take elements from own backyard and sometimes makes things very much he s able to do this which is breath so every election two thousand sunni yes at the same time it fits perfectly into the modern world the location is an old school a shabby background chosen to create a stark contrast to the narrow says collections are always inspired by personal story or theme this time around it s been these artists from the turn of the last century. celebrating one hundred years of viennese modernism in twenty eighteen so i made it the theme of the connection that means taking