mixing themes of trauma, repression and liberation, all mediated through the deliciously tactile medium of illicit video tapes and pre internet media panics. censor was just one of a number of british features that reminded us how vibrant our home grown film industry remains even in these trying times. a few months earlier, english pakistani film maker aleem khan s brilliant feature debut after love had opened in uk cinemas, a tale of secrets and lies with a superb central performance byjoanna scanlan. excusez moi. pardon, madame. i m s o rry , i you are here for the cleaning? she plays mary, a white english muslim who converted many years ago to marry ahmed. but when ahmed dies, mary discovers that he had another life and family in france, a revelation that causes her
examining the power of horror to confront our deepest fears, censor combined a sharp eye for period detail with a refreshingly irreverent attitude to nerdy fanboy facts, mixing themes of trauma, repression and liberation, all mediated through the deliciously tactile medium of illicit video tapes and pre internet media panics. censor was just one of a number of british features that reminded us how vibrant our home grown film industry remains even in these trying times. a few months earlier, english pakistani film maker aleem khan s brilliant feature debut after love had opened in uk cinemas, a tale of secrets and lies with a superb central performance byjoanna scanlan. excusez moi. pardon, madame. i m s o rry , i you are here for the cleaning?
were so excessive. i do it to protect people. maybe enid could watch my latest frederick north submission. - i m sure you could slip me a 15. it s harmless, i promise. niamh algar plays the film censor who is both repulsed by and strangely drawn to some of the more outre horror titles she classifies. as her macabre fascination grows, so fiction and reality blur. examining the power of horror to confront our deepest fears, censor combined a sharp eye for period detail with a refreshingly irreverent attitude to nerdy fanboy facts, mixing themes of trauma, repression and liberation, all mediated through the deliciously tactile medium of illicit video tapes and pre internet media panics. censor was just one of a number of british features that reminded us how vibrant our home grown film industry remains even in these trying times. a few months earlier,
horror titles she classifies. as her macabre fascination grows, so fiction and reality blur. examining the power of horror to confront our deepest fears, censor combined a sharp eye for period detail with a refreshingly irreverent attitude to nerdy fanboy facts, mixing themes of trauma, repression and liberation, all mediated through the deliciously tactile medium of illicit video tapes and pre internet media panics. censor was just one of a number of british features that reminded us how vibrant our home grown film industry remains even in these trying times. a few months earlier, english pakistani film maker aleem khan s brilliant feature debut after love had opened in uk cinemas, a tale of secrets and lies with a superb central performance by joanna scanlan. excusez moi. pardon, madame.
censor combined a sharp eye for period detail with a refreshingly irreverent attitude to nerdy fanboy facts, mixing themes of trauma, repression and liberation, all mediated through the deliciously tactile medium of illicit video tapes and pre internet media panics. censor was just one of a number of british features that reminded us how vibrant our home grown film industry remains even in these trying times. a few months earlier, english pakistani film maker aleem khan s brilliant feature debut after love had opened in uk cinemas, a tale of secrets and lies with a superb central performance by joanna scanlan. pardon, madame. i m s o rry , i you are here for the cleaning? she plays mary, a white english muslim who converted many years ago to marry ahmed. but when ahmed dies,