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Vibrant and adventurous, Mona Foma will lure you out of lockdown mentality

Artists, performers and grateful audiences come together again for Mona Foma in Launceston.

Vibrant and adventurous, Mona Foma will lure you out of lockdown mentality

Artists, performers and grateful audiences come together again for Mona Foma in Launceston.

How a $2 4 billion spending spree built cultural capital for Australia s arts

A big cash splash is revitalising our cultural scene, with ambitious new centres launched, under construction or planned from coast to coast.

Traversing new ground with First Nations art & film symposium

Sixteen First Nations artists, curators and filmmakers from Australia, Taiwan and Aotearoa/New Zealand will overcome border restrictions and gather.

We Change the World

By Elisha Buttler and Michele Stockley People have been talking about the relationship between art and change for a long time. Art as an agitator for change, a messenger for change; art as an act of activism or assertion. These days, this relationship may feel like a natural one; however, this hasn’t always been the case, with many of the artistic practices and theoretical concepts linking art and change having shifted over time but especially within the last two decades. Dr Geoff Hogg, Adjunct Professor in the School of Art at RMIT, notes: The last twenty years have seen a growth in socially engaged art as an accepted field of creative practice. Today this feels normal, and it is becoming harder to remember that for much of the twentieth century this was highly controversial. The concept of ‘art for art’s sake’ was a nineteenth-century philosophy that extolled the intrinsic value of art independent of political, moral or educational purposes. In the tw

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