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Film Africa 2022 Opens Tonight with the UK Premiere of the Award Winning Our Father, The Devil

Film Africa, London’s biggest celebration of African and African diaspora cinema presented by the Royal African Society (www.RoyalAfricanSociety.org),

Gotham Marcie Bloom Fellowship Selects Four Filmmakers for 2022 Program

Opeyemi Olukemi Is New Director at the Center for Documentary Studies

Media innovation executive Opeyemi Olukemi is the new director of the Center for Documentary Studies (CDS) at Duke University. Olukemi, the fourth director in the center’s 32-year history, began work in September. She came to Duke after stints at the Tribeca Film Institute and, most recently, American Documentary | POV, where she initiated partnerships, initiatives, and projects at the intersections of technology and storytelling. 

Psychological drama God s Creatures currently filming in Ireland

film profile], directed by the former on her own, which was first unveiled as part of the Venice Biennale College selection in 2015 and then went on to be one of the sensations on the US independent circuit, receiving accolades such as the Someone to Watch Award at the 2016 Independent Spirit Awards. (The article continues below - Commercial information) God’s Creatures is set in a rainswept Irish fishing village, where a woman’s lies to protect her son have a devastating impact on the community, her family and herself. The script was penned by Shane Crowley (previously a co-writer of the short films by Scottish director

Hannaleena Hauru • Director of Fucking with Nobody

Hannaleena Hauru) creates a fake Instagram romance after missing out on a gig, only to find herself elevated to “influencer” status. Her friend Lasse (the co-writer of the film, Lasse Poser) doesn t seem too thrilled about it, though, and soon enough, fiction starts patting reality on the shoulder. Hauru talked us through the film. (The article continues below - Commercial information) Cineuropa: Fucking with Nobody , you really got to experience two sides of our new reality: you showed the film during an almost normal festival, and now you have to deal with local cinemas operating at a much lower capacity.

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