Galloway’s starting chapter is to set the mood, the background music, if you will, which will play in our heads for the rest of the book. The intimate, rich tones of the cello solo soar above the death and destruction even as we remain grounded in existential questions.
Galloway’s starting chapter is to set the mood, the background music, if you will, which will play in our heads for the rest of the book. The intimate, rich tones of the cello solo soar above the death and destruction even as we remain grounded in existential questions.