- the problem with that thinking is it s not the perpetrator. it is somebody accused of the crime. there is a presumption of innocence. - when i think of rudy giuliani and i think of theater, i think of those perp walks. - as to the defendant, stanley friedman, the indictment charges his participation in three bribery schemes as part of the racketeering enterprise. this verdict is a very significant victory for the honest and decent citizens of new york city who have had to labor under the yoke of people like stanley friedman for too darn long. - and, you know, there s something sort of horrifying about that, at least from a professional ethics perspective, that we really don t think of ourselves as centerstage. - enormous, vaulting ambition. and that set off some alarm somewhere in the back of your head. this is very bright guy. this is a very ambitious guy. and if you get in his way, he ll crush you. - the charges are quite extensive, what s in the indictment
from that play have stayed with me, vaulting ambition that o erleaps itself and falls on the other, and of course lady macbeth uttering out, damn spot. so i was very pleased when i heard that this year the new york film festival was having as its opening night film a fresh interpretation of macbeth called the tragedy of macbeth, starring denzel washington and frances mcdormand. the world premiere of this new macbeth definitely created excitement. the film was shot in black and white on a los angeles soundstage. it all unfolds artfully within a hermetically sealed world. directorjoel coen, working solo without his brother for the first time in his career, has certainly created a visually striking movie. but it s his actors who bring it to life, his wife frances mcdormand as lady macbeth and denzel washington as macbeth, two leads at the forefront of a large ensemble of well rehearsed american, british and irish actors. we got a chance to rehearse it like a play, well, we actually st
and some great documentaries, one using animation to chronicle the plight of an afghan refugee fleeing the taliban 25 years ago. and the other, a portrait of the influential new york rock band formed in the 1960s, the velvet underground. like almost every british schoolchild of my generation, i had the works of william shakespeare thrown at me. but i have to admit, the only play of his that i received with a massive amount ofjoy was macbeth. i think i really understood the drama of it all, and over the years, lines from that play have stayed with me, vaulting ambition that o erleaps itself and falls but i have to admit, the only play of his that i received with a massive amount ofjoy was macbeth. i think i really understood the drama of it all, and over the years, lines from that play have stayed with me, vaulting ambition that o erleaps itself and falls on the other, and of course lady macbeth uttering out, damn spot. so i was very pleased when i heard that this year the new york
i think i really understood the drama of it all, and over the years, lines from that play have stayed with me, vaulting ambition that o erleaps itself and falls on the other, and of course lady macbeth uttering out, damn spot. so i was very pleased when i heard that this year the new york film festival was having as its opening night film a fresh interpretation of macbeth called the tragedy of macbeth, starring denzel washington and frances mcdormand. the world premiere of this new macbeth definitely created excitement. the film was shot in black and white on a los angeles soundstage. it all unfolds artfully within a hermetically sealed world. directorjoel coen, working solo without his brother for the first time in his career, has certainly created a visually striking movie. but it s his actors who bring it to life, his wife frances mcdormand as lady macbeth and denzel washington as macbeth, two leads at the forefront of a large ensemble of well rehearsed american, british and iri
like almost every british schoolchild of my generation, i had the works of william shakespeare thrown at me. but i have to admit, the only play of his that i received with a massive amount ofjoy was macbeth. i think i really understood the drama of it all, and over the years, lines from that play have stayed with me, vaulting ambition that o erleaps itself and falls on the other, and of course lady macbeth uttering out, damn spot. so i was very pleased when i heard that this year the new york film festival was having as its opening night film a fresh interpretation of macbeth called the tragedy of macbeth, starring denzel washington and frances mcdormand. the world premiere of this new macbeth definitely created excitement. the film was shot in black and white on a los angeles soundstage. it all unfolds artfully within a hermetically sealed world. directorjoel coen, working solo without his brother for the first time in his